BEATRICE DILLON / HIDEKI UMEZAWA - Basho / Still Forms LP Death Metal as well as the artist’s

as well as the artist’s own voice

and the fracturing and negation of the self within an increasingly distorted and technologically mediated society

erased in real time

Scott’s enacts a tectonic shift from bucolic sonic signifiers to signposts of the post-industrial world that could hardly be more apt at at a time when electronic and ambient music are prized for their safe and sterile wallpaper qualities

text excerpt from the booklet)

BEATRICE DILLON / HIDEKI UMEZAWA - Basho / Still Forms LP Death Metal as well as the artist’sThe title of this work by Beatrice Dillon is taken from the notion of basho, developed by Kitar Nishida, Japanese philosopher and father of the Kyoto school. Kitaros basho () refers to a fundamental place or field where things exist and interact. Not just a physical location, but a more abstract space where all experiences, thoughts, and phenomena are interconnected. In Nishidas philosophy, basho is a dynamic, living ground where subject and object,